The Haha Song Funny Tok Download

2009 single by Ke$ha

"TiK ToK"
TiKToK
Single by Kesha
from the album Animal
Released August 7, 2009
Recorded 2007
Studio Conway Recording Studios, Los Angeles, California
Genre
  • Dance-pop
  • electropop
Length 3:twenty
Characterization RCA
Songwriter(due south)
  • Kesha Sebert
  • Dr. Luke
  • Benny Blanco
Producer(south)
  • Dr. Luke
  • Benny Blanco
Kesha singles chronology
"Right Round"
(2009)
"TiK ToK"
(2009)
"Apathetic Apathetic Blah"
(2010)
Music video
"Tik Tok" on YouTube

"Tik Tok" (stylized equally "TiK ToK" and pronounced equally "tick tock") is the debut solo single by American singer Kesha. She co-wrote the song with its producers Dr. Luke and Benny Blanco. It was released on August 7, 2009, equally the lead single from Kesha'south debut studio album, Animal. The opening line of the song came from an experience where Kesha woke upwards surrounded by beautiful women, to which she imagined P. Diddy being in a like scenario. The experience prompted the writing of the song which she later brought to her producer, Dr. Luke, who was then contacted by P. Diddy in hopes of a collaboration; he came to the studio the same day and recorded his lines and the song was completed. Co-ordinate to Kesha, the vocal'south lyrics are representative of her and based on her life; the song has a carefree message and talks about not letting annihilation bring you lot downwardly.

The vocal is an electropop/dance-pop vocal incorporating a minimalist bitpop trounce interspersed with handclaps and synths. The song's verses utilise a rap/sing vocal style while the chorus is sung; throughout the song the use of Car-Tune is prominent. Musically, the song has been compared to the works of Lady Gaga, Uffie, and Fergie.

The song achieved commercial success by topping the charts in eleven countries. In the United states, the vocal broke the record for the biggest single-calendar week sum of all time for a female artist selling 610,000 digital downloads in i calendar week. "Tik Tok" was certified viii× platinum by the Recording Industry Association of America (RIAA) and has sold 6.8 million copies in the United States. On the calendar week of Jan ii, 2010, the song topped the Billboard Hot 100, where it remained for 9 consecutive weeks, becoming the longest running number ane of 2010. Information technology was besides the best-selling single worldwide in that year, selling 12.8 million copies.[one] As of 2019, the vocal has sold over 18 meg copies worldwide,[two] thus making it ane of the best-selling digital singles worldwide. The song was listed 61st on the Billboard Hot 100 Songs of All-time.[3]

Groundwork and evolution [edit]

In 2005, Dr. Luke had simply finished producing tracks for Kelly Clarkson's album Breakaway (2004) and was looking to expand farther on his writing and producing credits. Luke solicited around to different people in the music business asking for demos from unknown artists. Two of the demos he received were from Katy Perry and Kesha. He was particularly taken with Kesha's demos which consisted of a self-penned state ballad and trip-hop track. The latter of the demos caught Luke off baby-sit when she ran out of lyrics and started to rap, "I'thou a white girl/From the 'Ville/Nashville, bitch. Uhh. Uhhhhh." The improvisation fabricated her stand out from other artists that Luke had listened to, which he recalled: "That's when I was similar, 'OK, I similar this girl'due south personality. When yous're listening to 100 CDs, that kind of bravado and chutzpah stand up out." Following this, at the age of eighteen, Kesha signed to Luke's label, Kemosabe Records, and his publishing company, Prescription Songs.[4]

After being signed to Luke'due south label she also signed to David Sonenberg's DAS management company. While at the label she worked with record producer Greg Wells, which she attributes to developing her audio on her outset tape, Animal (2010). Although she was signed to Luke and his label, Kesha never took priority as he was busy with other projects at the time. It was not until 2008 when Luke was working with Flo Rida on "Correct Round" that he pulled Kesha in to contribute, giving her the female person hook. Within a few months, the song became a worldwide hit. The upshot lead to dissimilar labels sparking interest in signing her, including RCA Records, to which she eventually signed.[4]

Writing and recording [edit]

"I tried to rewrite the verses of 'TiK ToK,' I was like, 'This doesn't make sense. "Brushing your teeth with Jack Daniel'due south"-are people going to get what I'1000 talking nigh? Is this too much? Is it clever enough?' And he [Dr. Luke] literally had to fight me off, and and so Benny Blanco had to chase me out of the studio when I got a mind to rewrite it."

—Kesha on wanting to rewrite the track due to fear of not making a connectedness with the audience.[5]

"Tik Tok" was written past Kesha, alongside Dr. Luke and Benny Blanco and was co-produced by Luke and Blanco.[six] Kesha said the inspiration behind the song came from coming home half-drunk and stumbling after a night out of partying. She would then write downwards a few words to a song, so the following forenoon she would wake upward with the story waiting to be told. The opening line came from an experience where she woke up surrounded by "beautiful women", leading to her imagining P. Diddy being in a similar scenario.[7] She then proceeded to bring the vocal to her producer Dr. Luke and Benny Blanco and the song was written. Four hours afterward, Diddy called Luke and said that they should exercise a song together. Diddy came to the studio later that twenty-four hour period to contribute his lines and the collaboration was completed.[eight]

Engineering of the song was washed by Emily Wright and Sam Kingdom of the netherlands at Conway Recording Studios in Los Angeles, California.[6] While Kesha was in the studio with Dr. Luke and Blanco, she took iii takes to get the song correct equally she jokingly "white-girl rapped" over the beat.[ix] At ane point in the vocal'south production, she had wanted to re-write the verses of the vocal because she did not recollect that they were "funny or clever", feeling that they "kind of sucked."[ten] She elaborated, "I idea it was simply another vocal, I idea it was just like all the other ones I'd written. I didn't even know if information technology was very adept. I wanted to rewrite the verses, I didn't think it was funny or clever. I thought information technology kind of sucked. But everyone else liked it."[10] Kesha ultimately did non end upwardly rewriting any of the song'south lyrics. She further described the theme of the vocal in an interview, emphasizing that it embodied her own lifestyle,

We're [Kesha and her friends] all young and broke and it doesn't matter. We can notice clothes on the side of the street and become out and look fantastic, and impale it. If we don't take a car that doesn't stop the states, because we'll take the bus. If we tin can't beget drinks, we'll bring a bottle in our handbag. It's merely about not letting anything bring you downward.[11]

Composition [edit]

"Tik Tok" is an upbeat dance-pop and electropop song[9] [12] that incorporates the sound of '80s video game noises in its production, to earn a bitpop beat.[13]

Kesha uses a spoken word rap way on the verses while the chorus is sung.[ix] [xiv] Throughout the song Kesha's vocals are heavily enhanced by Auto-Tune. The song also features two lines by P. Diddy ("Hey, what up girl?", which is said subsequently he is mentioned in the lyrics, and "Let'southward go!")[8] [9] Lyrically, the song speaks about "backlog pleasures, from drinking ("Ain't got a intendance in the globe only I got plenty of beer") to men ("We kick 'em to the curb unless they await similar Mick Jagger")."[12] According to Kesha the lyrics are representative of herself, stating, "It's most my life. It'southward 100 percent me."[10]

Kesha uses a rap vocal delivery which was influenced past the Beastie Boys. She claims that the track's creation would not accept happened if it was non for their influence on her music.[9] While the song was being crafted she took a dissimilar vocal approach to the song than in her before records, explaining, "I've done the state, done the pop-rock, done the super-hard electro, ... I was similar, whatever, throw some rap in there, why not?"[9] The song is in common time with a moderate beat rate of 120 beats per minute. The song is set in the central of D small-scale.[14] It has the sequence of B –C–Dm as its chord progression and Kesha's vocals bridge from D3 to Dfive, like to that of "California Gurls" past Katy Perry.[14] Musically, the song has been compared to Lady Gaga's debut single, "Just Dance", for their similar composition and lyrical context and to Fergie for their similar rap style.[9] [15]

Release and promotion [edit]

In July 2009, the song was offered as a free download on Kesha'southward Myspace page for over a month before its official sale release. The song was later released to iTunes on Baronial seven, 2009, and on August 25, 2009, in the United states of america. Barry Weiss of RCA/Jive Label Group relied on a like marketing scheme to that of Britney Spears' in 1999 when choosing to give the song away for free. The song's marketing relied heavily on radio once she had achieved a strong online interest, merely its radio release was delayed until October in club to capitalize on social media interest in her. The song chop-chop topped iTunes charts after.[16] The vocal appeared in the film Diary of a Wimpy Kid: Rodrick Rules. It was also featured in the notorious "couch gag" for the television show The Simpsons.

To promote the single, Kesha made several television receiver appearances and performances across the globe. The start televised performance of the vocal was on a role of MTV Push, a programme broadcast on MTV Networks worldwide, where she performed the song aslope her other tracks "Blah Blah Blah" and "Dinosaur".[17] [xviii] She performed the song alongside "Blah Blah Blah", "Take It Off", "Your Love Is My Drug" and "Dirty Motion picture" in a gear up for BBC Radio 1's Big Weekend.[nineteen] On May 29, 2010, Kesha performed "Tik Tok" alongside "Your Love Is My Drug" at the MTV Video Music Awards Nippon.[20]

Kesha has also made appearances on Information technology'due south On with Alexa Chung, The Wendy Williams Evidence, Lopez Tonight, Belatedly Night with Jimmy Fallon, The Tonight Show with Conan O'Brien and The Ellen DeGeneres Evidence to perform the song.[21] [22] [23] This vocal was as well performed on Saturday Nighttime Live on Apr 17, 2010.[24] On August 13, 2010, Kesha performed "Tik Tok" on Today.[25] On November seven, 2010, Kesha performed the song at the MTV Europe Music Awards. Throughout the operation she was seen wearing a leotard with day-glow makeup. The operation featured a backing consisting of flashing lights and background dancers. The song's span was changed during the functioning and featured a more "amping business firm music vibe".[26]

Critical reception [edit]

"Tik Tok" has commonly been compared to American vocalizer Lady Gaga's (pictured) debut single, "Just Dance", for their like subject thing.

Kelsey Paine of Billboard called the song "a beloved letter to DJs everywhere, with hand claps that build to a crescendo of pure, infectious trip the light fantastic toe-pop."[12] Paine, referring to her appearance on "Right Round", wrote that she "offers her ain fun and frivolous ode to a wild nighttime out" as she sings most drinking and men. The review was ended with the consensus the Kesha's debut "reveals a knack for getting the political party started."[12] Jim Farber of the New York Daily News called the song "a vintage lick of dance processed too tooth-rottingly sweetness to resist" that featured a "stabbing synthesizer hook".[27] Fraser McAlpine of the BBC, giving the unmarried iv out of a possible five stars, called it a "muddy little ditty" that had "'hit' written all over information technology".[15] McAlpine noted its similarities to Lady Gaga's "Just Trip the light fantastic toe" for their partying subject affair, but concedes that "she does make it sound kinda fun though."[fifteen] Baton Johnson Jr. of Yahoo! compared "Tik Tok" to the 1980s Fifty'Trimm hit "Cars That Go Boom" and notes that Kesha has "accept[north] on L'Trimm'southward vocal styling for her own hit."[28]

Nick Levine of Digital Spy gave the song four out of five stars, he spoke of the vocal giving Kesha a "hussy image" but described the lyrics in a positive manner.[29] Levine said the use of car-tune was "fun" and described Dr. Luke'south backing track as "boisterous" and "bubblegummy".[29] The review highlighted the vocal's chorus with Levine calling it "stonking bang-up" and "completely trashy in the best possible way."[29] David Jeffries of Allmusic called the track "fun", listing it as 1 of the album'southward best tracks.[xxx] David Renshaw of Drowned in Sound felt that the song was effective in what information technology was trying to do, writing: "Trashy and rambunctious, information technology'southward a brash summer anthem near getting drunk and partying hard. Globe rocking it might not exist, simply as a piece of disposable pop it captures a moment and boasts a huge hook which, really, is all you need to rule the radio, Goggle box and ringtone airwaves."[31] Mikael Woods of Entertainment Weekly listed the song as the recommended download off of Animal, writing that "her Valley Girl sneer with electro-glam arrangements that make brushing ane's teeth 'with a canteen of Jack' sound like an awesome way to kill the morn-after blues."[32]

Jonah Weiner of Slate Magazine gave the song a negative review maxim that "the song sets up transport on the error line between charmingly daft and deeply irritating." He then compared the song to work by other artists, stating that "the rapped verses are sub-Fergie-class, proudly stuffed with groaners and to-hell-with-the-expiration-date slang." Weiner echoed the sentiment that the plotline seemed similar "a sequel" to "Merely Dance", summing information technology upwardly as "girl wakes up boozer, stays boozer, finds a trip the light fantastic flooring and (spoiler alert) gets fifty-fifty drunker."[33] Jon Caramanica of The New York Times described the song as "a zippy and salacious celebration of late nights and mornings-subsequently." He noted that "some have compared Kesha, unfavorably, to Uffie, who is signed to the influential French electronic music label Ed Banger and whose sass-rap predated Kesha'southward past a couple of years." However, he thought that "if anyone should feel fleeced by 'Tik Tok', though, information technology'due south Lady Gaga, who probably hears significant chunks of her hit 'Just Trip the light fantastic toe' in its melody and subject area matter."[9]

Chart functioning [edit]

United states [edit]

Kesha rehearsing "Tik Tok" for the Much Music Video Awards on June 18, 2010.

In the United States, on the week catastrophe October 24, 2009, "Tik Tok" debuted on the Billboard Hot 100 at number seventy-nine.[34] The song steadily climbed the chart and became the first number 1 of the 2010s decade.[35] It stayed at number one for 9 consecutive weeks. On the calendar week ending December 27, 2009, "Tik Tok" broke the record in the United states of america for the highest single week sales, selling 610,000 digital downloads, the highest e'er by a female creative person since tracking began in 2003 and 2nd highest overall, behind her own spot, "Right Circular", by Flo Rida (feat. Kesha) which sold 636,000 copies on the chart dated February 28, 2009.[36] The record would later be surpassed by Taylor Swift'south single "We Are Never Always Getting Back Together" when it sold 623,000 digital copies in its debut week in the week ending September 1, 2012.[37] On the week ending February 6, 2010, the song topped the Billboard Pop Songs radio airplay chart registering eleven,224 spins, becoming, at the time, the nigh played song in the charts seventeen-year history, breaking the record set of 10,859 spins just a week earlier past Lady Gaga's "Bad Romance".[38] [39] The vocal topped the nautical chart for a full of nine consecutive weeks and at the terminate of 2010, "Tik Tok" was named the Hot 100 song of the year.[forty] [41] It was also the seventh almost played song on radio in the country and the eighth about downloaded song that year.[42] The song has since received an 8× Platinum certification by the Recording Industry Clan of America for sales of viii million units.[43] As of March 2016, "Tik Tok" had sold over 6.8 million downloads in the US.[44]

The song fabricated its first ever chart advent in Canada, where the song debuted at number sixty-seven on the Canadian Hot 100.[45] It ascended the nautical chart for numerous weeks earlier attaining the number ane position on the week catastrophe Nov 21, 2009.[46] The song remained atop the chart for 2 weeks earlier falling to the number two position, being dethroned by Lady Gaga'southward, "Bad Romance".[47] "Tik Tok" regained the number ane position weeks later on Jan two, 2010, and held the top spot for 7 weeks, giving the single 9 weeks atop the chart in total.[48] [49] [50] In 2009 the song was the yr's seventy-sixth best charting song and it was 2010'south second best charting song on the Canadian Hot 100 Yr Finish Charts.[51] [52] The single has been certified seven× Platinum by the Canadian Recording Industry Association (CRIA) for sales of 560,000 units.[53]

Europe and Asia [edit]

In Europe, the song debuted at number thirty-8 in Sweden on the outcome dated October 23, 2009, and managed to peak at number three.[54] The song debuted at thirty-nine in Denmark and peaked at number iii.[55] In Norway, the vocal debuted at number 11 and peaked at number three.[56] In the Britain, "Tik Tok" debuted on the official UK Singles Chart at number vi on November eight, 2009, and climbed to a peak of number four on January three, 2010.[57] In 2010, the United kingdom Official Charts Company ranked "Tik Tok" at 100 on their listing of the best-selling singles of the 21st century.[58]

By the end of 2010, "Tik Tok" had become the best selling song by a foreign artist at 1,412,660 downloads in South korea.[59]

Oceania [edit]

"Tik Tok" made its chart debut on the official New Zealand Singles Chart at number seven on the consequence dated October v, 2009.[60] The following week information technology moved upward to number 1 where it held the summit spot for a total of 5 consecutive weeks.[60] The song has since been certified 2× Platinum by the Recording Industry Association of New Zealand (RIANZ) for sales of 30,000 units.[61] In Australia the song debuted on the ARIA Charts at number twenty-eight, and reached number 1 on its 3rd week on the chart.[62] The vocal was listed atop the chart for a full of 8 weeks and in 2009 it was listed at position 9 on the Australian Singles Twelvemonth Stop Nautical chart.;[62] [63] the following year the song was listed at position twelve on the 2010 year finish chart.[64] Information technology has since been certified 9× Platinum past the Australian Recording Manufacture Association (ARIA) for sales of 630,000 units. The song sold 12.8 million digital copies worldwide in 2010, making it the best selling single of the year, trumping the previous yr'southward song past more than iii million downloads.[65] As of 2019, it has sold over 18 meg copies worldwide.[66]

Music video [edit]

The music video for "Tik Tok" was directed by Syndrome.[67] It was shot in Kesha's quondam neighborhood and the car featured in the video belongs to her.[68] Kesha explained the experience saying, "the video I'g excited almost because I really got to shoot information technology in my old neighborhood and the guy driving my gilded car is a friend of mine".[68] The video's party scene was shot in her friend's business firm, which they refer to equally the "drunk tank". The singer said "the terminal political party scene is in this business firm called the drunk tank, which is one of my friend'due south houses that we all go political party at. So I like it cause its super-honest and genuine."[68]

The video begins with Kesha waking in a bathtub in a dwelling as she stumbles out and begins to look for a toothbrush in the restroom. She makes her way down a staircase looking at the pictures lining the wall. Kesha makes her mode to the kitchen and walks in on a family who are having breakfast, startling them. She shrugs and so leaves the home as the family gets upwards and follows her. When she arrives at the sidewalk, she picks up a golden cycle lying against a fallen debate and rides off. Kesha meets a group of children and trades the bicycle for their boombox. The video cuts to some other scene where she rejects a guy and is picked up by a man portrayed by Simon Rex[69] who drives her in a gilded 1978 Trans Am. They are pulled over past the police, who handcuff Kesha. The scene then pans to her singing while standing in the T-elevation as she dangles the handcuffs hanging from her left arm. The next scene shows Kesha in an empty room filled with glitter. She then attends a party with Rex for the final scene. The video comes to an end with Kesha lying in a different bathtub from the one she woke up in, while Spanish voices in Mexican emphasis are heard in a market-like way, implying she ended up crossing the border.[67] The official music video has received over 550 meg views on YouTube as of Feb 2021.[lxx]

Embrace versions and parodies [edit]

Heather Morris (left) and Avril Lavigne (correct) both performed covers of the song—Morris in an episode of Glee and Lavigne in a live rendition for BBC Radio.

The second-most-viewed YouTube video of the twelvemonth 2010, behind only "The Bed Intruder Song", was a parody of "Tik Tok" posted by The Key of Awesome.[71] "Weird Al" Yankovic included the chorus in his polka medley "Polka Face up" from his 2011 anthology Alpocalypse.[72] The song was too parodied by British one-act group The Midnight Beast. The parody discusses youthful subjects such equally attempting to view the nude bodies of women and dodging parents' anger.[73] Released to iTunes on Jan 15, 2010,[74] the parody peaked at number four on the Australian Singles Nautical chart, and at thirty-ix on the Irish Singles Chart.[75] [76] Comedian Julie Brown parodied the song with the single "Another Drunk Chick" on her anthology Olfactory property the Glamour (2011). Jarett Wiselman of The New York Post stated information technology was "one of the yr's best comedy albums."[77] Avril Lavigne performed an acoustic version of the song in her setlist for BBC's Radio 1.[78]

It's amazing ... I love it. ... Having Israeli soldiers dancing to 'Tik Tok' and landing the opening of 'The Simpsons' ... [they're] dreams. It'southward been a pretty skillful yr.[79]

— Kesha commenting on The Simpsons and Israel Defense force Forces soldiers parodies

Another parody came most when Israel Defence force Forces soldiers created IDF Tik Tok in 2010, a viral dance video that opens with six infantry soldiers on patrol in Hebron, walking cautiously downwardly a deserted street, armed and wearing full gainsay gear,[lxxx] when "Tik Tok" begins to play, and the soldiers intermission into choreographed trip the light fantastic toe moves.[81] "Tik Tok" was used in the opening sequence for The Simpsons episode "To Surveil with Honey", in which the entire cast lip-synced to the song.[79] [82]

The bandage of FOX musical series Glee performed this song on the episode "Blame It on the Booze", with Heather Morris' character, Brittany Pierce, taking the lead.[83] The episode revolved around teen drinking and its dangers. The members of Glee Society are asked to perform at the school'due south alcohol awareness associates, in which "Tik Tok" is ane of the songs performed.[84] [85] Emily VanDerWerff of The A.V. Club wrote that the song's inclusion in the episode was superfluous, stating that it was just an excuse to become a Kesha song on Glee. VanDerWerff however, wrote that she "Really liked Heather Morris'" rendition of the song.[84] Sandra Gonzalez of Entertainment Weekly praised Brittany'south choreography and overall performance in "Tik Tok", writing, "The huge star of this number was clearly Brittany, who more and more every week proves that she needs to be moved to the forefront of this prove's big performances and storylines."[86] Gonzalez gave the embrace version of "Tik Tok" a B, calling it "pure, fun entertainment upward until we got to the part directly out of the mind of Gordie LaChance."[86] Erica Futterman of Rolling Rock gave the cover version of "Tik Tok" a mostly positive review, writing, "Love Brittany as we do, we wish Rachel or Mercedes stepped upwardly to the mic. The performance is less risqué than their Pep Rally "Push It" but winds up causing more controversy when Brittany pukes on Rachel and Santana also vomits up grey slush. It'due south a fitting end to the vocal, and the episode."[87]

During the fifth flavour of the Masked Vocaliser, Caitlyn Jenner sang the song bearded equally "The Phoenix". Jenner'south rendition went viral and Kesha somewhen reacted to it on the coincidentally similarly named app TikTok.

Accolades [edit]

Runway listing [edit]

Credits and personnel [edit]

Recording
  • Recorded at Conway Recording Studios, Los Angeles, California
Personnel

Credits adjusted from the liner notes of Fauna, Dynamite Cop Music/Where Da Kasz at BMI.[six]

Charts [edit]

Certifications and sales [edit]

Release history [edit]

References [edit]

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  6. ^ a b c Credits adapted from the liner notes of Animate being, Dynamite Cop Music/Where Da Kasz at BMI.
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External links [edit]

  • "Tik Tok" music video at MTV.com
  • "Tik Tok" on YouTube

brownandla1964.blogspot.com

Source: https://en.wikipedia.org/wiki/Tik_Tok_%28song%29

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